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“Whitecaps?” he asked, spinning his board and clawing into an absurdly thick double-up. “Up here we call ‘em glassycaps!” he shouted, then disappeared over the ledge.
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As I watched, absolute in my decision to head back home to a hot cup of coffee, all five spun on their boards and made haste to the beach. Not a common sight up here, but not an uncommon one, either.
“See a fin?” I stupidly asked one of the guys as we stood on the shore, squinting toward the ocean.
“Couple,” he said.
“Gonna pack it in?” I asked.
He shot me a what-you-talking-about-Willis face and said, “and miss out on this?” His hand gestured to the malevolent shorebreak, the pounders beyond unloading onto an ill-formed sandbar barely visible through the pea-soup air.
Five minutes later the five men huddled, agreed the two sharks were long gone, then paddled straight back into the fog. I made my way back to the parking lot, quickly pulled on my wetsuit, and agreed with the dude on the beach: who would miss out on this?
It’s not until the fourth act that the Northcoast/Macbeth parallel dissolves.
“Such welcome and unwelcome things at once,” says McDuff, the play’s moral champion. “’tis hard to reconcile.”
If he were a surfer up here, it wouldn’t be hard to reconcile at all.
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Win win.
As per usual, all color is pigmented resin, and all glasswork by Leslie Anderson at Fatty Fiberglass who may or may not be making out with some dude in Alaska at this very moment. Much to give thanks for this year!